And when you wish to reconfigure your set-up to make another keyboard the Master instrument, you're faced with unplugging all of your MIDI cables. It also prevents you from using any device in the chain not fitted with a Thru socket (unless it goes last of course). This method, however, generally results in the dreaded 'MIDI transmission delay' whereby those instruments furthest down the chain are slightly out of sync with the others. the (Master) instrument's MIDI Thru socket connects to the second's (Slave) MIDI In, and the second instrument's MIDI Thru to the third's MIDI In and soon. MIDI equipment is conventionally connected in a simple Master/Slave daisy-chain manner ie. After all, MIDI is all about 'control' and any MIDI patchbay can only expand the control you the user have over your system. At £99 (inc VAT) however, Akai's ME30P patchbay is well within the financial grasp of most musicians and the benefits it can bring to even the most sparse MIDI set-up are certainly worth having for that sort of money. A MIDI matrix box/patchbay has artificially been seen as a non-essential item in the past primarily because of the relatively high selling price of existing units. You certainly haven't considered buying something that generates no sound of its own like a patchbay, you simply haven't got the cash.ĭoes this therefore mean that the potential market for Akai's new ME30P is limited somewhat to studios and better-off musicians? I think not. If you are a musician with perhaps one MIDI keyboard, an expander module and maybe a MIDI drum machine, then you don't necessarily require the facilities offered by a programmable patchbay - you can get away with connecting equipment up directly, right? And one thing's for sure, your next income is already going on that new sampler or sequencer, tape recorder or even a MIDI effects unit. Well, read on and all will become transparent. 'What is he talking about?' I hear you ask. which will probably come in handy when I figure out how to set everything up (two computers and a bunch of MIDI gear and master keyboard), so the additional MIDI patchbay will mainly be for the sysex dumps (one MIDI OUT for each synth module and into one or the other computers) and a dedicated THRU output for each of them.You have to hand it to Akai, when it comes to marketing their new ME30P patchbay, they have definitely got their heads screwed on the right way. My A-880 seems more advanced with MIDI merging and filtering etc. "MKS-70 Sysex dump") I assume the manual would have explained how if it was possible -are there any patchbays out there which do?Īlso, is it possible to change patches via MIDI program change? That way I could set up my computer-sequencer to change patches depending on the use. It appears the MJC-8 doesn't have any means to name a patch (i.e. I already have a Roland A-880 but with more MIDI gear I need another MIDI patchbay of some sort in order to dump Sysex messages from each one and as a THRU unit in order to avoid time lags (which I'd probably get by daisy-chaning them). Are there any Yamaha MJC-8 (8x8 MIDI patchbay) owners here? I've got the chance to buy one and have download the manual, but it's either incomplete or there are limited possibilities.
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